Took a trip to the Bay Area and back. Painted these at the Mother-In-Law's house. Both hardly took time at all. You can see the casualness of the brushstrokes, confidence building. I'm getting to a point where I know where to stop and how to address the over all picture in a consistent manner. I work the entire image then focus on the areas I want to suggest a little more selective detail. But it takes experience, I'm finding, restraining oneself to a level that the painting reads well and does not need to have anymore done with it and still looks good. Do not over bake, do not overcook, so to speak; put the brush down; you are done; etc.

Underpainting...

Chuck, Arnel, Michael, John, Helen, Kelly, Ravenstone, and Miller, thank you for signing up as followers. You guys rock! I am filled with gratitude! Keep drawing, painting, creating and reach for stars!

Kim

Spent way too much time on this. Another bad scan; the original looks so much better. You have to have good drawing skills for this one. Viggo's chiseled face was so much fun to paint!

Beginnings.

10 minute block in from remaining pallette. Still even looser. Will try to get back tomorrow. Gotta help with dinner now..

Return to this great looking fellow. I'm going to try to get more shots of him; he's just delicious to paint. Feeling more confident; color mixing really coming along and I am learning to trust myself more; dragging the brush now!

Roughly 5 1/2" x 4" on thick moleskin paper (bound sketch book), acrylic. Had started blocking this one in a few days ago, finished it today. A little over an hour total. Pure joy.

More from Hidalgo. Loved, loved this woman's costume. I'm a sucker for that turn of the century look. Loved the peacock feathers below the shoulders and her playful green jeweled necklace which hung at her throat. Too bad the light was so low you did not get to see much of the dress...wah! Spent way too much time on the upward shot, difficult angle. She was more attractive in the shot, but I did get her expression and I would rather get the expression than the likeness...

First pass: 25 minutes, big bold brush strokes.
One hour later...

And so help me, I so want to start another; reaching for the masking tape...

Yesterday, painted like ka-rap..today I could do no wrong. I'm going to blame it on...hormones. A revisit to Hidalgo~finally got a program which will allow me to take DVD snap shots!! Yeah! Don't have to rely on poorly chosen screenshots from the internet anymore! This is how I envision LePardine will be painted~both traditionally as well as digitally.

Another leap actually in achievement; one of the best entries so far.

Photoshop is so fun. Stretched the drawing just slightly to elongate the face. Methinx I like this version better...

Husband, child, gone for a few hours tonight. Solitude. Heaven.

Drawing overlay from a thumbnail sketch (bottom left).

WIP:

Almost, almost done. Will be heading out of town this weekend, so I will have to back to this next week. Now for a frame...

One more from "Mongol". Desaturated palette. Love, love, love the lighting in this one.

Thru a good twist of events, everyone left today and I got a rare few hours alone. From the movie, "Mongol". A pretty unsaturated palette, few cadmiums, grey sky; in the peace and quiet, actually got to hear myself think uninterrupted, got to linger and love this one little. 2 hours +

This was actually done yesterday. Lots of saturated cadmiums in this one. Had gone to Chinatown with my dad and his sister the day before, maybe influenced by the trip?

The King's Speech

Was watching the movie and came upon this great face during the last part of the film. This older gentleman had such character, he seemed almost like a caricature. I did not capture how weathered he was, but I loved the colors~I used my new Quinacridone Blue Violet for the darkest skin tones in shadow. It worked perfectly for this; while not an exciting color right out of the tube, it is desaturated enough to give me a more "muddier" skin tone. (For those of you not familiar with painting with acrylics, it is hard to control it's brilliance.) I also used a new brush~Grumbacher Gainsborough 1271 flat #4 bristle brush, which is scary to use because you have no control. I loaded the brush with paint and went for it. I actually had to repaint the face all over again, since I did not like the first try. But because this brush was so bristly (I think it's a canvas brush), it gave me a wonderful random performance, yeah, you probably think I did the brushwork on purpose...I got lucky. This, I think, is my best entry in my color journal as yet! :)

More from the King's Speech~
Helena Bonham Carter as Your Royal Highness~ quoth: "I don't have a hubby, we don't 'pop', and you will have to come to us!" to Geoffrey Rush, as Lionel Logue.

Struggling with the lowkey, unsaturated pallette. There are not a lot of cadmiums, just Orange Cad hue, and Red cad light. I think I had hit a high with the Vincent Price painting and feel like I am starting all over again. Been hit with a bit of melancholia and I mention this because it comes with the territory of being a creative, but fortunately for me it never lasts for very long.

On a better note, I ordered several tubes of paint from Dick Blick catalog, which had a 49% off sale! Don't know if it is still going on, but I made out like a bandit! Bought a new color, Quinacridone Blue Violet, which I can't wait to take it for a spin hopefully soon!

And a warning to those who want to try my paints when they see me whip out my pallette~I let my daughter use them and she switched the Titanium White tube cap with the Burnt Umber~my white is now contaminated with brown; my brown now looks like mocha...Grrr I am very protective about my tools!

I've just finished a run of nearly 2 months constant work, no weekends and I feel burned out~and it shows in these works. I finally got to sit down and watch a movie The King's Speech. I loved the cool colors in this film, the thalos, blue and green and the cool flesh tones.

Horses Taught Me to Draw

Some rough sketches for a project I am working on. I grew up drawing horses. I read every horse story for girls there was, Black Beauty, The Black Stallion, etc. My parents bought me Breyer horses for my birthday and Christmas. I drew them from all angles and so drawing horses come as natural as breathing to me. For a long time, I wondered why I could not draw the figure like I could draw animals and sometimes when I get a block, I will draw a horse to get my brain flowing again. I will forever have this Visual Imprint of a 3 dimensional model horse in my brain. People ask me all the time, How do you learn to draw animals so well? If you want to really learn, you sculpt the animal. I have been working on a sabor tooth cat sculpt which will give me that Visual Imprint.