This one was actually done before the last post. 30 minute demo for my dad who wants to learn to paint people. Acrylic in sketchbook; water color paper.

I was giving my dad a demo on how I start a portrait. 15 minutes, acrylic on water paper.

A bit overworked~
but finished. A couple of days before X-mas, my daughter passes me strept throat. I'm just now finishing up with my last dose of antibiotics which makes my hands shake and puts me in a fog and really messes with my decision making when painting. (I also get cranky) It is hard to paint this way, since usually I know exactly how I'm going to paint a picture; what I wish to say and how to do it. It's like I've jumped into another's head and have no idea on how to start. In 48 hours I will be myself again.

I moved the left eye up and made it smaller, but in the process, lost the sparkle of the original eye. The unevenness was driving me crazy; so now it is more correct but not as interesting...oh well..most times that happens..

I flew home from the Bay Area yesterday and had a decision to make. I only had room in my suitcase to either: pack my clothes or pack my paints. I left my clothes with my Mother In Law. Hubby and daughter stayed and man oh man, is it peaceful. I really look forward to this once in a year solitude!

Working on: 'bout 80% done. Hafta rework the eye on the left and make the chin much smaller and clean up the silohuette. One hour, acrylic on canvas paper.

I've been so busy these days. I have been trying to work on my own projects but inbetween being a mom and wife I just have no personal time. I did these at work during lunch. They are 5 to 10 minutes each on newsprint. It's a great switch from the vector stuff that I am doing; very freeing.

A return back to digital. Gonna step away from the traditional and catch up with the digital. Been so freakin' busy these days, hard to find time to work on anything personal. The ugly/beautiful and savage LePardine. This is the underpainting for now. I may change the lips since they are looking a little Botoxy. And I'll probably come back and soften her face so she looks less harsh and starved...Have a Great Turkey Day, everyone!

I will be out of town this weekend so I probably won't get time to paint. I am also taking instruction from master portrait painter, Sean Keecham and so must wipe my slate clean of all methods I use in order to paint and adopt his. In order to step forward I will take steps backward and start at the very beginning~only dealing with shadow and shadow colors and transitional midtones..

Sometimes I "doodle" at work and here are some sketches to keep the hand loose...

From Titanic. Okay~this is not one of my favorite movies and I have a lot of problems with it. From the cartoon like characters, sappy dialogue and a downer of a plot, it did have some positives. The costumes are incredible as well as the special effects. One of the problems I noticed was that as I was speeding thru the shots, there were very little variation of camera angles, colors or mood. Because of this, even with the sound turned off, the movie did not elicit much emotion from me or engage me to care much about the characters.

From a pic off my husband's FB. I wish I knew who took the photo which inspired this painting because it is beautiful and I did not do it justice. If I knew the name of the photographer I could give them credit and a kudos for having a terrific eye. I actually did this last Saturday but am just getting around to posting it.

Limited Color Palette
Ron at work suggested that I try a limited palette. This was done at work during lunch break.

Hardly anytime to paint this weekend! :(

A little overworked. Speed painting 101, because now I have to make lunch and run kids to the dentist...will try to finish the other painting...

Did this underpainting at work. Established the tone, mood, lighting in 25 minutes. The rest should be cake.

Sneak Peak for Next Week!

This is how I start, big bold strokes, values, color. I had some left over color on the palette and I hate wasting, so I knocked out this underpainting. See you next week! :)

A day late, but worth the wait..

The figure on the right should have been about 25% bigger, but the mosaic of colors turned out so nice I did not resize it. Autumn colors, Siennas, yellow oxides mixed with purples, lavendars.

For those of you new to my blog, welcome! I am studying filmshots from different movies. How do you tell the story with warm and cool colors? By layout, composition, camera angle, lighting, emotion? What was the director thinking? Was it successful? Was it not?

These are all acrylic studies, some no bigger than a postcard, some smaller, in a pocket sized sketchbook. They can take anywhere from 20 mins to 3 hours (esp. if there are more than 2 figures or I am having a bad day). Ultimately, I will be taking this paint style to Photoshop using quick, colorful, casual and energetic and emotive brushstrokes to story telling illustrations. And ultimately, ultimately will take this to large canvas, original work inspired by those of the Golden Age of Illustration, the large kind of work you don't see anymore.

October Gorgeousness:

So many good color harmonies in this one, could give love to it all day...Will attempt to get another one out today!

This horse in this film is just beautiful to look at. Been wanting to do this shot for a long time..

Despite a busy weekend, I managed to get these out. Painted in my new sketchbook, which has crap for paper, but I will fill this and trade out for one with better paper; hopefully. I love the New World shot colors; the charcoal black and greys are actually a base mix of Thalo Green and Alizarine Crimson and variations of red oxide, light blue violet, thalo blue, dioxe purple, burnt umber, cerulean blue and titanium white. Was able to get some wonderful color harmonies against a saturated green backdrop.

Struggling to find a good paper book to paint in:
The Hidalgo shot is a sketchbook I found at an art sale at Swain's yesterday and the blue shot is done on a watercolor sketchbook from Japan. The watercolor surface with acrylics drove me crazy, but it's worth revisiting again because the paper is so thick and strong. It's really hard to find the kind of book that I need: it has to be proportioned so that it accommodates a wide screen format with extra room on the side for a color pallette, (has to be small and light enough to carry in my backpack) pages have to be thick enough to support acrylic paint and I would prefer a tooth to the surface, not as rough as the watercolor paper which absorbs too much. The best surface is the Strathmore Bristol Vellum surface but that comes in a pad. It seems whenever I switch papers, it's like learning to paint all over again!

STRONG TO THE FINISH
This is the last entry in my Color Journal Sketchbook. The book is now complete; one of the most impressive collection of work in a sketchbook I have ever done. I will now leap to a new one, a Multi-Drawing Book for Water color and multi-media from Japan which has more tooth to the surface. It is more of a binder than a book and much lighter to carry. This was actually finished on Saturday, but I am just now getting around to posting it.

Where Have I Been?
Okay~about a month ago I had so many obligations and responsibilities and did not get a chance to paint; let alone think about it. Then the next weekend comes around and my daughter won't stop talking while I try to work. Also the heat melts my brain. Labor Day comes around and I think: Wow! Three days to paint! And BAM! my daughter comes home from school and gives me her cold. We are laid out for 2 of the 3 day weekend. Monday we go to the beach and there goes the weekend. This weekend, my daughter does something to the computer and it won't leave a high magnification mode and makes it really difficult to navigate the computer (which holds all my screen shots!) when finally her friend's mother said try turning off the Universal Access toggle. The Universal what? We found it under the Apple Icon, System Preferences and suddenly I am back in business!!

Thru this forced Hiatus, I found myself back to square one; like I'm starting all over again. This one's done on Strathmore Vellum pad, again from The New World. And this one's for my Dad. Sorry I gave away the Sheik painting, Pop, if I knew you liked it so much, I would have given it to you!