I need reference. Reference ads authority and weight to a drawing. I was fascinated by some greyhound pics I found on the internet-I liked the foreshortening and the crazed look on the hound's face. I was also influenced by striping on the baby alligators-how sinister it made the animal. I found a pic of a snarling wolf-loved the intensity and then the foreshortening of the t-rex. Got really lucky and found a perfect reference for the hawk. I redrew it, and slightly changed the head direction. What does a hatching reptile actually look like? Found the hatching reptiles on the internet. I wanted a flavor of all these pics in the illio.

I tighten it up a little.

Fantasy concept. I finished this a few weeks ago, but it took my awhile to do. I started with a quick sketch.

Then there were the people in costume. This was taken after the Con closed, and they were so lovely to look at in the coastal light as the sun was dropping. Oh, if I only had my pallette and paints with me, I could have painted a real cool picture of them. The blue light on their pink skin was amazing. I hope they don't mind me posting them.

But it was Anthony Michael Hall who was absolutely the most gracious and friendliest star there. He enthusiastically stood up to shake my hand and was by far the easiest to talk to. He ended his series, The Dead Zone, and will be working on a new project in the Spring. I'm glad he is still getting work!

By contrast, sitting right next to him, was Lou Ferrigno, who did not look a day over 35. I believe they are the same age, 57, and I asked Lou, how did he stay so young? He told me just by eating a good diet. I got the feeling that it was against Lou's nature to be sitting at a table hawking his photos; he was somewhat aloof and not very friendly. You had to engage him. I got the feeling he was very shy. I told him I had just seen Pumping Iron last year, and could not believe how badly Arnold had been to him. He shook my hand and said, "His true colors are coming out."

I met Richard Hatch at the Long Beach Comic Con. He was a nice guy but he looked nothing like the handsome young man from the original Battlestar Galactica series. I'm not sure what happened, but all his facial features had completely changed-smaller eyes, bigger nose, smaller lips-it was hard to realize that this was the same man. And as an artist, it was fascinating to see how age progresses in certain individuals.

These were all done at Disney in Bob Kato's class on Fridays. I have never painted the model from life with acrylic before and I had not done a class in nearly 7 years. About 20-25 minutes each.

Color key exercises. The more purplish one was second (one on the right)and I used a better quality brush. It was a small bright that did everything. I've been told by a couple of really good illustrators that it did not matter if they used an expensive brush or a "throw away". But here's the difference; right painting is definitely more exciting than the other. A better quality brush does perform much better at least for me.

I just finished an on site freelance job for Disney Consumer Products and while I was there took advantage of Bob Kato's class on Fridays. These were 5 minute color sketches.

"Hey Kimmie, can you scratch my back?"
"Mama, Mama, where did you put those cookies?"

I'm convinced-the reason why John Singer Sargent was such a great painter was that he remained undistracted! I don't think he ever married. Or had kids. I did these paintings in Tahoe, one of my favorite spots on earth. I am not the best plein aire painter and still need a lot of practice, but I did have a hell of a great vacation. Everywhere you look there is a perfect composition with dramatic lighting. I could have stayed another week. We hiked, fished, biked and continually jumped into the icy Truckee River. Eagle Falls is one of my favorite places in the world.

Just back from Tahoe. Will post some okay plein aire studies soon. Here is a poem Sienna wrote the night we got into the condo at King's Beach:

Part 1
Here I'm in tahoe away from Home town way accross the city for the nights that pass over the tree tops.

Part 2
Here and there and everywhere cabbins are hidden all over the Home town.

Part 3
landcaster and utah everywhere we go joy fills us with lots and lots of love and careing.

Part 4
Sometimes we even stop to get more joy
it does'nt matter anywhere we go

July 15 2009
8 years old

Emma
Worked on this this weekend. Good painting, would have been nicer if it looked like Emma! I really struggled with this one-I am much more comfortable painting sharp shadows and sunlight. Tommorrow at work I will soften the eyebrow and the cheek rolling into the jaw.

Emma is Corinne's younger sister.

My favorites were the geisha, the gangsta, amelia dogheart. These are all property of MGA

At Last! I can share these illustrations! These were done for a card game called Andale! Andale! approximately almost a year ago. We were in a crunch of several projects and I was given these to single handedly crank out from concept, to rough, to finish. Thanks to Dwight and Joel for their suggestions on props and color.

WORKING ON:

Been so busy. I literally painted this in my head before starting. Already knew how I would organize the brushstrokes. This is one of my first attempts of painting a male and boy are they more fun than the painting the girls. Lots of character, facial planes, etc. I probably won't do much more to this: I like the roughness and being able to see the brushstrokes.